Granola Park, Berkeley East), served as general counsel to Jesse Jackson’s Rainbow Coalition. Jamie Raskin, a former law professor and resident of Maryland’s Takoma Park (a.k.a. Marcus Raskin later chaired the group that led the nuclear-freeze campaign. When Daniel Ellsberg stole the Pentagon Papers, he handed them to Raskin père. Spock and William Sloane Coffin, for urging resistance to the draft. Marcus was a stalwart of the antiwar movement-he co-edited “The Vietnam Reader,” which was used at teach-ins across the nation, and he stood trial, alongside Dr. Raskin grew up in the left-his father, Marcus, after a few early years in the Kennedy Administration, quit to set up, with Richard Barnet, the most important progressive think tank, the Institute for Policy Studies. Although constantly accused of undermining American pride, of debasing American history, progressives are, in fact, the ones who actually understand the nation’s story. That it was left to the left-because Raskin is very much a man of the left-to make that case is telling. But his speech on Thursday was even more important: it was, I think, a classic defense of American history, even of the exceptionalism of American history. Raskin had opened the arguments on Tuesday with a personal, passionate speech that described his family members hiding from the rioters in the Capitol on January 6th it was as powerful and effective as the speech he gave on that long-ago Cambridge night. I thought of that moment on Thursday, as I listened to Raskin, now the Democratic representative from Maryland’s Eighth Congressional District, close out the prosecution presentation in Donald Trump’s second impeachment trial. He’d given a burning, powerful speech the crowd of students, not an easy audience, had roared and roared. I was a reporter for the Crimson, the student daily he was an undergrad organizing against the Reagan Administration’s involvement in Central America, and had just pulled off an enormous rally in Harvard Yard. The first time I remember meeting Jamie Raskin it was dark, and we were standing atop the great steps of Harvard’s Widener Library, looking out over a sea of candles.
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Over the years, I have found that there are tons of non-branded or not popular brands in my country that have very high-quality clothes. However, as years go by, I realized that a lot of them actually have a good resell value if you know your target market. I used to ignore non-branded clothing items and accessories mainly because I initially thought that they don’t have any resell value. The resell value of second-hand or preloved designer labels is way higher than the popular name brands. I have separated designer bags from popular name brands because basically, they’re two different things.Įxamples of designer labels are Jean Paul Gaultier, Issey Miyake, Yohji Yamamoto, Louis Vuitton, and Gucci and some examples of popular name brand bags include Calvin Klein, Tommy Hilfiger, and Anne Klein. Name Brand Bags, Clothing, and Accessories Are Designer Bags Good Investments? – An Online Seller Point of View.How to Buy Authentic Designer Goods Really Cheap.Start small and grow your business gradually. If you start small, you will also mitigate the risk of losing money from common mistakes of newbies in this business such as buying stuff that no one wants and not understanding your target market. Most thrift store flippers that I know also have other responsibilities in life such as their employment or their studies. How much will it cost you to start a thrift store flipping business?ĭon’t be afraid to start small! I started with just buying my own personal stuff (which I eventually sold online) and usually my thrift store budget only ranges from $20 – $60 (approximately P1000 – P3000) per visit.Īnother benefit of starting small is that you don’t get overwhelmed with all the tasks needed in order to build this business. However, if you keep on doing this, then eventually, it’ll be your second nature and you’ll be able to memorize which items are worth buying/flipping. If you are new to this, it may be a bit overwhelming at first because you’re not familiar with the brands that sell way higher than the other clothing brands. The selling cost of the item in the online marketplace should be worth more than the cost of the item and your operational cost in order to turn a profit. The key thing to remember in thrift store flipping is the profit margin. I list all the items that I have bought from thrift stores to online shopping websites. How do you make money from thrift store flipping? I usually buy anything that I see from thrift stores as long as there’s a potential high-profit margin. I personally started with buying designer and branded bags from thrift stores and then I moved on to clothes and some household items and also collectibles. Thrift store flipping basically means finding items at thrift stores with a potential high-profit margin thus enabling the flipper (or the thrifter) to earn money from it. Thrift Store Flipping Tips that Will Help Your Grow your Business.Name Brand Bags, Clothing, and Accessories.Designer Brands Bags, Clothing, and Accessories.What are the best items to sell for profit?.How much will it cost you to start a thrift store flipping business?.How do you make money from thrift store flipping?. Its algorithm seems to work really well for rapid consumption of buzz within a particular network that you can tap into by following people. When I want updates about _how science is done_, I turn to Twitter, where many of my scientific role models are active and almost all of the interesting stuff tends to bubble to the top. When I want updates about science, I read papers that I find from searching, RSS updates, or citations. "Science Twitter" complements traditional academic publishing models really well. I never understood Twitter until I started using it professionally, if you could call it that, as an academic. I'm convinced Twitter will never be able to grow into a meaningful mainstream social media (+1B users) with their current model, but I do believe there's a lot of unlocked value in what they have created. A large amount of news nowadays is "X person tweeted Y". News outlets have a better funnel to distill and distribute information, so most people don't need to have Twitter to have a general idea of what was said on Twitter. It's almost impossible to get the value of Twitter out of the box if you don't have a clear idea of what topics matter to you and who are the central figures in those topics. I believe their biggest bet on revenue has always been to grow their passive audiences (people who just use the feed and don't tweet) but their product lacks the immediate stickiness that other feed products have. On the authoring side, it has a tremendous product-market fit with particular outspoken groups (investors, founders, politicians, journalists, activists, etc) and a terrible product-market fit with everyone else. Honestly, Twitter is just a weird product. I have never encountered a more hostile website, or company for that matter, towards innocuous behavior. I now see 0 ads, will never give up a phone number to join a website, and have nothing but disdain for that company. The page just locks and you can't scroll unless you sign in.Īnd that was the last day I used or visited Twitter. Annoying, but not a huge issue as you could just dismiss the modal and continue.Īs of a few weeks ago, they got rid of the ability to dismiss the modal. So then a few months ago, Twitter started putting up an overlay up prompting you to log in or create an account to continue after viewing x tweets. And why do I have to supply a phone number to use a web site? So, I just left the account in limbo and went back to what I was doing before - just manually going to individuals walls to read because they're bookmarked. What? I haven't even tweeted anything yet and only followed verified checkmarked users. On the last one, my account locked up and said there was "suspicious activity" and if I wanted to continue I needed to supply my phone number. So I did, and went and immediately followed the 4 or 5 people. Over time, it became cumbersome to continue doing this and I thought I'd give in and create an account (on the website) so that these people were all easy to access from a single point. Over the years, there are a few people that I liked to read their thoughts on Twitter, so I'd manually go to their wall and read occasionally. Sending and receiving Direct Messages via SMS will still be limited.So I never created a Twitter account. If you can’t wait to try out longer Direct Messages, be sure you’re using the latest versions of our apps so you get the update right away. It will continue to roll out worldwide over the next few weeks. We’ll begin rolling out this change today across our Android and iOS apps, on, TweetDeck, and Twitter for Mac. Tweets will continue to be the 140 characters they are today, rich with commentary as well as photos, videos, links, Vines, gifs, and emoji. You may be wondering what this means for the public side of Twitter. Today’s change is another big step towards making the private side of Twitter even more powerful and fun. That’s why we’ve made a number of changes to Direct Messages over the last few months. Each of the hundreds of millions of Tweets sent across Twitter every day is an opportunity for you to spark a conversation about what’s happening in your world. While Twitter is largely a public experience, Direct Messages let you have private conversations about the memes, news, movements, and events that unfold on Twitter. You can now chat on (and on) in a single Direct Message, and likely still have some characters left over. If you’ve checked your Direct Messages today, you may have noticed that something’s missing: the limitation of 140 characters. This material may not be published, broadcast, written or redistributed. Lawyers are seeking a third of the settlement for legal fees. Furthermore, you can find the Troubleshooting Login Issues section which can answer your unresolved problems and equip you with a lot of relevant. LoginAsk is here to help you access Six Flags Pass Holder Login quickly and handle each specific case you encounter. The Illinois Supreme Court in 2019 allowed the class-action case to continue, saying the privacy law doesn’t require someone to show an actual injury such as identify theft.Ī final hearing in a Lake County court is scheduled for Oct. humana otc catalog 2022 pdf Fiction Writing. The company denied that it was collecting biometric identifiers and claimed visitors had given consent. Six Flags was accused of violating an Illinois law that requires companies to get permission before using certain technologies to identify customers. Texas-based Six Flags declined to comment Friday. Robert Channick, Chicago Tribune Six Flags Great America has agreed to pay 36 million to settle a class-action privacy lawsuit over the use of fingerprint scanners at the entry. 31, 2018 could get up to $200 each, the Chicago Tribune reported. Pass holders and others who visited the Gurnee park between October 2013 and Dec. The lawsuit, filed in Lake County, claims that the finger scan violates the Illinois Biometric Privacy Act, which regulates how companies can use an. Rosenbach says that when her son bought a season pass, Six Flags scanned his thumbprint into a biometric data capture system. (AP) - Six Flags Great America has settled a class-action lawsuit by agreeing to pay $36 million over the use of fingerprint scanners at its Illinois theme park. According to Rosenbach’s complaint, Six Flags uses a fingerprint scanning system to identify season pass holders at the Six Flags Great America amusement park outside Chicago. Business & Finance Click to expand menu. The mother, who filed the lawsuit as next of friend to her child, alleges that the corporation violated the Biometric Information Privacy Act (BIPA), an. Best known for its super premium mochi ice cream, Bubbies is dedicated to making frozen novelties and desserts using only the highest quality ingredients. 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When you work with a “producer’s studio,“ you’re in a one stop facility for all things audio, and you’ll have access to the help and advice of an engineer/producer with knowledge of all the stages of music production your project needs to go through. Fandango Recording is a hands-on, owner operated facility, located in the same space for over twenty-two years, and our approach and personalized music services ensure your comfort to explore creative and interesting solutions in your project. Conveniently located in Toronto, in the Shops at Don Mills neighbourhood, the studio is known for the creative, comfortable, warm, and cozy atmosphere in a world-class blend of exceptional high end analog and digital state of the art equipment. Toronto’s Fandango Recording studio is a music production, recording, voice over, mixing, mastering, audio and sound restoration professional studio. This is especially important for wedding project bookings. The post production process also allows for easy collaboration between our editors to work in your photo selects into the video product and vice versa. Not only do you get an additional discount, but also a team that has a great working dynamic and most importantly, one that avoids another's production process. In our experience, having one team do both your videography and photography is much more convenient and stress free. Please feel free to contact us with your inquiries. We pride ourselves in our work, which specializes in wedding Photography and Videography, corporate videos, music videos, commercials, promos, live performances and much more. The candid, artistic, and modern style of i-video ensures your project is professional, and most importantly affordable. Our team at i-video not only has first hand experience in the creative industry, but also university degrees in the field of study. Media production, just like any other profession takes many years to perfect and requires an advanced level of education. We look forward to having you in for your next session.WELCOME TO I-VIDEO.CA - CINEMA & PHOTOGRAPHY You’ll agree that we have one of the most comfortable and productive recording studios in Toronto. Last but not least, steps away from all of the amenities of our studio including the kitchenette (with mini-fridge), washrooms, and the upstairs lounge. The room has also been designed with acoustics in mind to get the most accurate monitoring of your recordings.Īdditionally, the top of our outboard equipment rack functions as a spacious producers desk on which one can take notes or keep all of one’s files, paperwork, snacks, and other items you bring along to your session ready and available.Īside from the design, the control room is located in the center of the action as it sits between the live room and the piano room, with wide 3′ x 6′ soundproof windows on either side allowing for a complete line of sight during your session. We have made the control room as relaxing and comfortable as possible, with swivel chairs for the engineer and producer and a large leather couch at the rear of the room for all others to use. Our studio features pleasing neutral colours and wood finishes, as well as two large windows that allow the sunlight to flood the room to ensure a calm and refreshing experience. We kept this in mind when we built our control room. Our years of experience have taught us that some studio sessions can end up being long or mentally fatiguing. In other words, it is the amount of time it takes for an attack to actually begin after the button has been pressed. NES games run on old TVs have 25-30ms response times.įrame delay is the time difference between an input being given and the result being executed in an online game. Common large LCD TVs are the terrible for this– often adding up to 100ms of latency by themselves! Old school CRT screens on the other hand are goddamn fast. Good emulators add very little latency, so by far the most common culprit is the screen used. Go through the configuration guide and see if you can adjust. 2) Emulation is notoriously finicky, and one configuration tweak might save you. I had significant problems with one, but the other worked smoothly on my old setup. Try both to see if one works better than the other. My issue comes with some noticeable delay with controller inputs. I recently tested it out with 3 games (Mega Man X8, Shinobi, Yakuza) and they all seem to be running more or less full speed up to 3x resolution. Although the NES Classic suffers from input lag, it’s peanuts compared to playing on the Wii and Wii U. 1) IIRC, PCSX2 comes with 2 binaries that look roughly identical. Issue with input delay Hey, I'm fairly new to using PCSX2, but was able to setup 1.4.0 fairly quickly with defaults. Input lag has always been one of the biggest drawbacks of playing classic games through Nintendo’s Virtual Console service. Does the NES classic have input lag?Įvery title in the NES Classic library is a winner. It essentially allows you to push back the rendering of a frame to the last possible millisecond, so that your input comes as close as possible. Furthermore, this instruction set translation takes place on the fly. Frame delay itself has been in RetroArch for years. Every CPU instruction the emulator receives must translate from one instruction set to another. Why Are Emulators So Slow? The difference between instruction sets is one of the reasons why emulators sometimes underperform. The result is classic emulated games that can actually run with less input lag than the original hardware, as seen in this super-slow-motion Super Mario Bros. That means the game doesn’t output its reaction to a new input until the next frame after the button is pressed at earliest. Statista (opens in new tab), the German data aggregator, also names Tokyo as the city with the largest population, but it puts the figure at around 39,105,000. However, other sources have reached different conclusions in terms of city populations. With an estimated population of 37,274,000, according to World Population Review (opens in new tab), Tokyo has over 5 million more residents than second-placed Delhi, India, which is home to approximately 32,065,760 people (opens in new tab). When it comes to the number of human inhabitants, no other city comes close to Tokyo, the capital of Japan. According to World Population Review (opens in new tab), New York, which has a population of 8,177,020 (as of 2022) is currently the 45th most populous city in the world, sandwiched between Kuala Lumpur, Malaysia (opens in new tab) (8,419,566) in 44th and Hangzhou, China (opens in new tab) (8,044,878) in 46th. In terms of population, however, New York City is nowhere near the top of the list. This discrepancy is, according to Ward, because there are no concrete "norms and understandings" around how to determine a city's boundaries. According to WorldAtlas, New York City occupies a total of 3,353 square miles (8,683 square km), while World Population Review lists the city as covering 4,669 square miles (12,093 square km). However, the two sources have different interpretations of the city's size. Various sources have set out to establish the largest city in the world by area, and according to WorldAtlas (opens in new tab) and World Population Review (opens in new tab), New York City comes out on top. Meanwhile, Ngerulmud, the capital of the Republic of Palau in the western Pacific, has just 400 residents, but at 180 square miles (466 square kilometers), has a larger area than Vatican City, and is regarded as the least-populous capital city in the world (opens in new tab). Vatican City, for example, is the world's smallest independent country and is tiny in terms of its population (just 453 people) and area (0.19 square mile, or 0.49 square kilometer). And neither size nor population are always a factor. "What constitutes a 'city' varies from one country to another," Ward noted. Measuring the size of a city is difficult in part because there is no universally accepted way of defining what a city is, or where one begins and ends. In this regard, Ward said, one could claim "Paris, London or New York" to be the "biggest." This is, however, open to individual interpretation. Ward also suggested a possible third option: assessing a city's cultural impact on the rest of the world. (Image credit: Yongyuan Dai via Getty Images) Tokyo is the most populated city in the world. The triumvirate of password, group and access dialogs is still there, but the Password dialog now allows you to define dynamic calculations for checking if a user can browse, edit and/or delete a record. The passwording mechanisms in FileMaker have long been a thorn in developers' sides, so much so that even the Web Companion provided an alternative. The most powerful new feature for designers and administrators is record level security. The bulk of the changes to the application itself are under the hood, and more likely to be of interest to a developer or whoever builds the databases in the first place. And since the new operating system supports PDF as a native file format, you can now import Acrobat PDF documents into container fields. So you’ll need all that new functionality to allow users to search, view and edit via buttons you add to your layouts.īy the way, if you’re more graphically orientated, then version 5.5 also has improved QuickTime support, especially if you are running OS X. The main benefit is that by using a ‘Toggle Status Area’ step in your script, you can turn off the default interface frame that FileMaker puts up for auto-published databases. When loading a Web-published site for the first time, FileMaker will look through any startup script set in a FileMaker document’s preferences and, where possible, interpret it in terms of the Web site. This is especially useful given Web Companion’s other new trick. Provided you’re using steps that are capable of being translated to Web functionality (there’s a list of compatible functions) you can attach scripts to buttons on FileMaker layouts and have them mimicked on your Web site. As well as adding to the number of single script steps that can be imitated on Web pages, you can now use multi-step scripts (well, three-step scripts) as actions for buttons on layouts. The souped-up Web Companion also deals with scripts better. Button objects on rendered Web pages now highlight on mouse-over and you can sort your table views (now rendered using colours in your original layouts) just by clicking column headings. Support for CSS has been enhanced, so layouts created in FileMaker and converted for the Web are both more FileMaker-like (closer to your original layouts) and more Web-like. Version 5.5 ships with a much-improved, multi-threaded, and therefore faster, Web companion. So it’s no surprise that perhaps the most obvious visual improvements in 5.5 are in the area of Web support. Version 5.0 upped the ante with the introduction of Cascading Style Sheets (CSS) to mimic user-layouts from your FileMaker files directly to the Web. Since version 4.0, FileMaker has included the ability to publish databases directly to the Web, without the need to get your hands dirtied with HTML. As a Carbonized application, FileMaker 5.5 benefits from the new Aqua interface, but don’t expect to see the sort of speed increase associated with some Cocoa applications. The key phrase here is ‘written to support’, which is code for a ‘Carbonized’ application as opposed to ‘written for’ - shorthand for a Cocoa-based application. Indeed, there’s just one CD in the box, which is used to install a single copy on your platform. The big claim to fame for FileMaker Pro 5.5 is that it’s written to support the ‘Mac OS X environment’ and Windows 2000, as well as Mac OS 9. Helping IT since 1993 LinksįileMaker Pro 5.5 Thursday 28th June, 2001 Dyce & Sons | FileMaker Pro 5.5 Dyce & Sons Ltd. |
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